A living tradition, brought home.

Ayurda connects the world with India’s master folk artists,  through authentic handmade artwork, cultural workshops, and bespoke commissions for modern spaces.

Ayurda Arts · Est. 2021

Some traditions are older than the countries that hold them.

Indian folk art was never made for museums. It was painted onto village walls at harvest, drawn on floors at weddings, cast in brass for temple offerings.

Each tradition carries the memory of a specific place, a river, a forest, a devotion. When an artist stops painting, the memory goes with them.

Ayurda exists so that these traditions keep breathing, in the homes, offices, and lives of the people who love them.

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Every piece Ayurda offers is signed, quietly, with a name, a village, a lifetime of practice. These are the people we work with.

Our Product

Every folk art form we work with carries a specific place, palette, and philosophy.

Explore the major traditions in the Ayurda catalogue, with more added as we grow.

Devotional cloth paintings of Krishna, layered in gold and mineral pigment.

Dot-and-line paintings that translate the forest into a visual language.

Village-wall paintings of mythology, marriage, and ritual, traditionally by women.

The circle, triangle, and dot, everyday tribal life drawn in a single continuous line.

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Every purchase sustains a traditional art form and directly supports the hands that made it.

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Every piece Ayurda offers is signed, quietly, with a name, a village, a lifetime of practice. These are the people we work with.

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Created directly with master folk artists across India, no middlemen, no mass production.

What people say

“The most talked-about session of our AAPI Heritage Month, a year later, people still have their paintings on their desks.”

Head of People, Fortune 500 Technology Company

“We’ve sent Ayurda commissions as our year-end gift for three years running. Clients open the package and actually call us.”

Executive Assistant, San Francisco Law Firm

“I’ve been to a lot of team offsites. This is the only one I remember.”


Workshop participant, New York